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Tuesday, November 13, 2012

DJ Mel on Playing at Obama's Election Party

(Statesman.com) Did you know DJ Mel played Obama’s election party?

Which, election party? In town somewhere?

No, the election party in Chicago, the one we all saw on TV.

Along with the par for the course political wrangling, this side conversation spun through Austin’s social media networks in the immediate aftermath of election night 2012. The jubilant crowd dancing at McCormick Place Convention Center in Chicago was breaking it down to the sounds of one of Austin’s top party rockers.

“It was kind of a big deal,” Mel Cavaricci said, describing his surprisingly nonchalant response to landing the gig when we caught up with him Thursday night. Back in town for less than 24 hours, he was finishing up a day in the office at the massive local production house C3 Presents where he works as a talent buyer. In addition to DJ gigs around town including his well-loved Rock the Casbah series and a hip-hop weekly at Nasty’s that’s been running for over 15 years, he helps out with electronic dance music and DJ stages at festivals like Lollapalooza and Austin City Limits. This particular DJ gig dropped in his lap a few days before Election Night. He’d spun at the California Democratic convention a year ago and Democratic National Convention earlier this year. He has a friend who worked for Obama who was pulling for him to play the big event. On the strength of his two prior political performances he was hired.

Though he thought it was ‘pretty awesome,’ he didn’t freak out. It was just another gig. “My buddy called me and was like ‘Are you interested in coming to Chicago?’ And I was just like, ‘Yeah, sure man. No biggie, I’m there.’”

The magnitude of the event didn’t...

Find out what DJ Mel's setlist after the JUMP

CHAMPAGNE BOWLING CHALLENGE to Meet Steve Aoki


Cooking with Skrillex

What's Skrillex best cooking technique?

BASSting


EDM Boston reviews the CNTRL Tour with Richie Hawtin at Rise from Halloween

By: Adam



While there were many acts coming through Boston on Halloween this year, one not to be missed was Richie Hawtin and his CNTRL tour gang in toe.  Of all the shows available for Bostonites to go to, this was one of the most traditional electronic acts playing other than Danny Tenaglia. Held at the after-hours club Rise, the EDM Boston team had a blast at one of the more unique and refreshing shows we've seen in a long time.

Rise is in the DJ Mag Top 100 Clubs for a reason. Their lights and sounds are absolutely incredible. Besides this, Rise is regularly open until the early hours of the morning (6am to be precise), something no other place in Boston does, allowing party-goers to dance until dawn. 

The venue is split into two floors, the lower level is a lounge and the upper houses the most underground dance scene in boston.  The upper floor is beyond dimmly lit and can be an intimidating area. Despite this, tucked to the right side of the dj booth is a room lit by tv screens displaying visuals.  We found this area to be the best spot in the upstairs as it had less people, freedom to move, and didn't feel creepy.

The crowd at this show was slightly different than what we expected from a typical crowd found at Rise. For the most part, the audience was full of people 21+ (mostly above 25), who were looking for a night to appreciate the sounds and techniques of these international techno artists. The College Tour that the CNTRL gang was trying to kick off seemed to be attracting less young people than they thought.  However, that didnt stop anyone from having a good time

Ean Golden started the night with a good opener and a minimal sound, followed by Paco Osuna, who had stronger bass drops to get the crowd excited. Loco Dice introduced a more acid house sound, which brought up Richie Hatwin. Each of those DJ’s each carried seamlessly off of the last one so that the music never slowed.


Previously known as Plastikman, the minimal house DJ from the early 2000's, Hawtin's sound is probably unlike any track you have heard being produced lately. As his set progressed, it literally felt like you were floating on waves of music. It might be simple, but it has generous peaks and troughs. Through the course of no more than a few minutes, you encounter new instrumentals coming in and out in a melody which was unlike anything I’ve heard before.
           
The CNTRL tour coming to town was a treat, and definitely something interesting to break up the electro-house sound that has been over-saturating Boston. While it may not be everyone’s ideal choice in music, these sets live were something to be deeply appreciated for any EDM lover. Be sure to check out all of our photos of the event at our Facebook page, and give us a like when you're there!

On the Verge with Zedd



USA Today had a cool article last week highlighting Zedd's past and track to stardom.  This is a great article if your unfamiliar with the artist Bio.

(USA TODAY) If there were a Jay-Z of the EDM world, it would be dubstep maestro Skrillex. Like Jay-Z made Rihanna into a superstar, Skrillex guided Zedd to the spotlight. In 2010, Zedd sent a half-hearted message on MySpace to Skrillex, inviting him to listen to his music. "It was very random, he must have been checking his MySpace messages right then, because mine was at the top of the queue," says Zedd, 23. "He listened to a remix of This Year and he played it that night at his show." Skrillex took Zedd under his wing, releasing Zedd's music on his label OWSLA and inviting the up-and-coming DJ to tour with him in 2011. He bested his mentor when, one week after its Oct. 9 release, his Interscope debut album Clarity sold over 11,500 copies. The album also topped the iTunes dance chart and single Spectrum held the No. 1 spot on EDM site Beatport. It also doesn't hurt to have collaborations with Ellie Goulding, Matthew Koma and Ryan Tedder.

Classical beginnings: Before he became Skrillex's protégé, Zedd was a piano prodigy. Born Anton Zaslavski in Kaiserslautern, Germany, he learned to play piano at age four. "My parents are both classically trained and then I had a piano teacher until I was 10 or 11," he says. "We listened to all the German guys like Beethoven. We listened to jazz, George Benson was on a lot."

A sharp turn: When he was 12, he decided to be a drummer, playing in a band called Dioramic with his brother. "We were a metal band," he says. "At first we were more of a rock band like Muse, then our music just got harder and harder, there was a lot of screaming." In 2009, he discovered French electro-house duo Justice. "I was recording with Dioramic and saw this Justice CD (Cross) sitting on a table," he says. "I never liked EDM before that, but that album, there was something to it. EDM was all new and exciting to me, a whole new world."

Dedication: His parents weren't pleased that he didn't follow in their footsteps. "Dioramic toured for nine years, never making any money, just hoping to break even," he says. "So my parents weren't expecting Zedd to take off, either. No one was."

Finally famous: Zedd, which is a riff of the European pronunciation of 'Z' (zed), remembers the first time he realized he'd made it. "I'd flown to Los Angeles to play (the Beyond Wonderland festival in 2011). It took forever to get through customs. By the time I got to the stage, there were only 10 minutes left in my set," he says. "I looked out at the crowd and saw thousands of people there. At home, I never played a crowd larger than 150 people, and then here were thousands." Since then, he's opened for Lady Gaga on her Born This Way Ball tour and has performed at Coachella, Ultra Music Festival, Lollapalooza and Electric Zoo. He also teamed up with fellow electro-house sensation and close friend Porter Robinson, playing back-to-back on their Poseidon tour.

Staying rooted: His classical training is still the foundation of all his compositions. Instead of writing music on the computer, he always begins sitting at the piano. "I work out a melody first, then add everything else, that's the workflow that works best for me," he says.

Up next: Now he's looking forward to giving someone else a chance. "Skrillex believed in me, I want to find someone to give a break to," he says. "That one message made all the difference."

Swedish House Mafia Announce Final "One Last Tour" Dates

After Swedish House Mafia announced months ago that they would be ending the super-group as we knew it, they weren't going to leave without doing a massive blow out of a tour: One Last Tour. 

They tantalized and tortured us with timed announcements, ticket giveaways, the "Spot the Dot" pictures, and so much more.

Finally, today brings the ultimate final tour date back to where SHM got their start only a few short years ago:
March 15 & 24 2013 at Ultra Music Festival. 

If you've been waiting to get your tickets to Ultra, don't wait any longer. And we might recommend heading there the second weekend as to not miss Armin Van Buuren's A State of Trance 500. EDM Boston will be there representing at ULTRA XV!

Check out the official announcement from the guys below.

DKOphotography 2012 Highlight Film




Track: Vicetone - Twenty

Mic'D Up Interview Series Launches with Quintino Live Stream



EDMBoston has been hard at work over the last few months to recreate our interview series.  Today on Tuesday, November 13th we will be doing our first ever live stream interview with special guest Quintino.

The series, to be dubbed "Mic'd Up" will give viewers an inside view into the artist they love.  We will cover everything and anything in the interviews from what they are working on in the studio to outlandish road stories.

Tune in tonight at 10:30