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Tuesday, July 30, 2013

Markus Schulz Coldharbour Day Set 2013 [4 hours]

markus schulz coldharbour


At each turn it appears Markus Schulz is playing longer and longer sets. While after his 12 hour performance at Tomorrowland, you are safe in guessing that the artists is turning it back to easier digestible sets. At Coldharbour he took it easy with only a 4 hour set. Check it out below.




Markus Schulz had this to say about Coldharbour:

"In between this summer of madness consisting of...

Friday, July 26, 2013

Electric zoo picked up by siriusxm's Electric area



Electric Zoo: New York’s Electronic Music Festival, taking place over Labor Day Weekend on August 30, August 31 and September 1, is excited to announce that SiriusXM will air exclusive performances by some of the biggest DJs in the world, LIVE from New York's Electronic Music Festival at Randall's Island Park in New York City. Get ready to get your Zoo groove on with the official 2013 teaser video.
 
SiriusXM listeners will hear live DJ sets by Armin van Buuren, Tiësto, Steve Aoki, Fedde Le Grand, Ferry Corsten, Dada Life, Dannic, Dyro, Hardwell, Tritonal, W&W and many others.
 
Electric Zoo Radio will premiere on Friday, July 26 at 1:00 pm ET and rebroadcast on Mondays 4:00pm ET on Electric Area, channel 52, and through the SiriusXM Internet Radio App on smartphones and other connected devices, as well as online at siriusxm.com. The limited-run weekly show will feature sets from previous Electric Zoo Festivals as well as music from this year’s performers.  Listeners will hear sets, interviews and specials with the biggest names in electronic dance music, including Tiësto, Avicii, Hardwell, Krewella, A-Trak, Steve Aoki and Sander van Doorn. The show will air every Friday leading up to Electric Zoo #EZOO5.

Kill the Noise Hits Ocean Club, Show Preview



By Mike H

For anyone with knowledge of the Boston electronic music scene, it is no secret that the hottest venue of the summer has, without a shred of doubt, been Quincy's Ocean Club at Marina Bay. Having played host to some of the industry's top DJs, from Armin van Buuren, to Pretty Lights, and many in between, OC has no plans of slowing down any time soon.

Up next in the parade of EDM all-stars to grace the decks at Ocean Club is American drum and bass icon, Jake Stanczak, aka Kill the Noise. It's been a busy year for KTN, having made stops at some of America's major festivals, including EDC Las Vegas and Ultra Music festival, and Electric Forest. Unlike many artists, whose acclaim is reached through the release of numerous singles and promotions, KTN has garnered much of his notoriety through internet buzz based on his numerous remixes and bootlegs of major dance tracks, many of which are available on his soundcloud. Also available on his soundcloud are his collaborations with superstars such as 12th Planet and Skrillex ("Right On Time"), as well as fan favorite, Dillon Francis ("Dill the Noise").


While many of Ocean Club's headliners have been members of the EDM mainstream, mostly major house and dubstep artists, Kill the Noise is the first major drum and base artist to bring his talents to the South Shore. Although the average Ocean Clubber may not be terribly well-versed in the art of raging to drum and base, we're sure that this will be one hell of a show, and we can't wait to see all of your beautiful faces in attendance tonight!!
Stay tuned to the EDMBoston calendar of events for all of Boston's upcoming events!

Thursday, July 25, 2013

Tommy Trash Ocean Club After Movie

Videos produced by Winterhalter



Live performance of Reload at Ocean Club Quincy MA


Disclosure Secret Boston Show Announced

MTV Iggy and Intel have announced that Electronic dance duo Disclosure will headline The Music Experiment 2.0 in our very own hometown of Boston! The event will take place at a secret location on August 7th.

This show won't be your ordinary rave.   The theme of the show is “White Noise”, which plays off the title of Disclosure’s hot single, creating an immersive visual experience that fits into the duo’s album aesthetic. The entire venue will be blacked out and fans will be encouraged to arrive dressed in all black with the chance to paint their faces with white glowing paint, just like in the iconic Disclosure album and video motifs.

This is all part of The Music Experiment 2.0 experience which is created to be like entering a music video, with elaborate themes and costumes.  The artists and fans co-create a music experience together.

This show, like the rest in the series, will be broadcast live across the globe at the ME 2.0 website or via the Music Experiment Windows 8 App and will also air at a later date on the Palladia music channel. Fans from around the globe can join the live show remotely as part of the Virtual Audience via their webcam and will be projected onto a giant screen at the venue.

The Music Experiment 2.0 is a themed, social-media powered music series that connects passionate fans with their favorite emerging artists. Tickets are awarded to fans that visit the online hub (http://www.musicexperiment.com) and engage the most with the series on Facebook, Instagram, Vine, and Twitter. Social submissions deemed the most creative will be awarded prizes including VIP tickets to the show, a personal meet and greet with the artists and a starring role in their own MTV Iggy-produced music video.

English electronic music duo Disclosure, made up of brothers Guy and Howard Lawrence, headline The Music Experiment 2.0 as part of their fall tour in the United States to promote their just-released debut album on Cherrytree/Interscope, Settle (iTunes / Amazon).

The Windows app will allow homes users to direct the show themselves from multiple camera angles – zoom in for a close up on their favorite band member, cut back for a wide shot, and save their own edit to share with their friends. The entire experience is in full HD video and can be wirelessly sent to the users TV using Intel's new WiDi technology while being controlled from their lap.

Boston is the second leg of The Music Experiment, which launched in New York last month with Empire of the Sun headlining (stream show here). The concert series continues throughout the year with stops in San Francisco, Los Angeles and Nashville.

Tuesday, July 23, 2013

DJ Mag Spoof

Monday, July 22, 2013

Diplo - Crown [FREE DOWNLOAD]



Need more Diplo after seeing him at Ocean Club last night? Check out on of his latest Free Download releases on his soundcloud. Skip ahead to 1:03 for the facemelt that will propel your monday into conclusion.

Stream or Be Pirated Spotify Economist Says

(The Register)A study by economist (and occasional Reg contributor) Will Page sheds new light on the relationship between streaming services and piracy. Artists who withhold from Spotify may suffer from increased piracy, he finds. Since Page works for Spotify, the words of the great prophet M'andee-rice Davies spring to mind - but it's worth a read nonetheless, as there’s a lot of new research here.

The report took seven months to prepare, long before this week's row about artists' royalties. It uses sales data, Spotify streaming and Bittorrent traffic to try and untangle the relationships. Page examined the Dutch music market, where Spotify has become a popular legal alternative to freetardery, and he examines the illegal consumption of popular recordings that artists have withheld from the service. In recent years names including The Black Keys, ColdPlay and the Adele have held back from offering their new recordings via the service, arguing that they'd rather have pounds in the pocket for an in-demand recording, rather than the pennies Spotify pays out. Page also looked at Italy, where licensed services are immature (Spotify has only just launched) and piracy is rampant.

The study concludes that legal services have a significant effect on unlicensed music downloads - which has been noted before - but hardcore pirates remain. The Swedish record industry saw a sharp decline in revenues from 2002 until 2008 when Spotify launched. A third of the Swedes over the age of 15 had downloaded pirate material in 2008, but by 2012 it was just over one in five. They’d got out of the habit. Since unlicensed TV and movie downloading increased during this period - when there were few legal alternatives - it's reasonable to conclude that legal services reduce piracy.

As with previous research, the numbers show a large "passive" population and a small number of hardcore, high volume pirates: 10 per cent of freetards download 52 per cent of the unlicensed files. Freetards also tend to go for the most popular files, which helped inform the next research: the correlation between withholding and piracy.

One Direction's album, which was available on Spotify on the day of its release, had a sales to piracy ration of 3.79 copies sold per Torrent download, while hold-out Rihanna sold 1.36 copies per Torrent. Page warns against inferring too much, because some artists allow Spotify to stream singles, while withholding albums. But he concludes "there is no evidence holdouts sell more". In contrast to Holland, where music piracy is something done by angry blokes who don't wash very often, unlicensed downloads in Italy are fairly mainstream. The music industry was slow to develop legal services there.

And it’s still pretty dozy about responding to demand. Page also finds a sharp, short-lived spike in piracy for specific acts after music festivals, an invitation for the industry to respond the demand with discounts and promotions. These are standard practice in other retail sectors - but when it comes to selling digital music, but you’ll look for them in vain.

The conclusion might not be surprising, as Spotify wants to reassure nervous labels and artists that their long-term interests benefit from a relationship with Spotify.

But Page concludes that policy makers should do more – it isn’t spelled out how – to nurture legitimate businesses from pirate sites. Those are corporations too, he reminds us, and they murder the market for legitimate sites – the ones who actually pay the artists.

“Copyright infringing websites are big businesses … 2/3 of piracy sites have advertising, and 1/3 also include credit card logons. This competition is real: consider how ad pricing is distorted by those unlicensed sites who offer more scale and no content costs.

At which point it would have been useful to study another variable – the effect of copyright infringement threats. The cumbersome French apparatus of Hadopi may not have suspended many freetards, but the mere threat created a huge surge of subscribers for Deezer, a Spotify-like streaming service. Britain’s bureaucrats are rigidly against implementing any kind of infringement penalties, no matter how gentle, but this looks increasingly hard to justify given how beneficial penalties are for the legitimate market.

You can read the report here. It’s commendable for its clarity, a quality not always associated with economists.

Monday, July 15, 2013

Is Steve Angello Going Deaf?

steve angello deaf


Hearing for any musician is their most important tool for creating music. Nevertheless, the voluminous concerts, loud headphones, and blaring studio monitors that constantly surround a musician are terrible for their hearing. It is especially damaging to musicians when they don't wear hearing protection at their live performances.

Sadly the aforementioned has caught up with beloved DJ/producer Steve Angello. In the latest episode of Size TV, Steve talks about the problems he has faced with hearing lose (8:20 mark). He said he was working in a studio for a month straight when he began to experience severe problems.

The studio monitors were set up on the left side of the room. Due to the fact, Steve's left ear took the brunt of the force. When his hearing went absent he immediately consulted the doctor.

Listen to this play out on Episode 6 of Size TV.

For those curious as to what steps Steve has taken to protect his hearing the DJ has adopted the technique of using no headphones at his live shows to mix.


Wednesday, July 10, 2013

Electric Zoo 2013 Official Trailer Released


Tuesday, July 9, 2013

Tomorrowland 2013 Belgium Introduction Trailer


Monday, July 8, 2013

Flux Pavilion Quits Social Media

flux pavilion

The 4th of July weekend delivered as it always does with beautiful weather, cold drinks, and fun times with friends. However, all was not rosey for Flux Pavilion.  Over the weekend he made the decsion that it is best for him to "give up social media."

The rant can be found on Flux Pavilion facebook page which we included below.  Flux mission is to refocus his energy on the music and not be known for being good as his last vine video.

This begs the question, Do you think it's important for artists to be producing pro quality social media content or is it acceptable for them to produce content just like every other joe blow?

flux pavilion facebook


flux pavilion facebook